Outfit: Top – DIY FCUK, Skirt – Storets.com, Shoes – H&M, Furry pouch – ASOS, Long vest – Gmarket; Prints by La Boca as part of promotional graphics;
Don’t we often say ‘I know it’s really bad, but what do you think about…’ just to put a cushion down first before a potential bad review? Black Swan did exactly that in the first 10 minutes into the film. “Done to death” was one of Vincent Cassel’s lines describing Swan Lake in the movie, and there he beat me to the chase – the cushion was laid and I had to hold my tongue about the genericness of the subject. And from that point on I had to accept that the film was not going to be another box standard dance school flicks where the climax is when the protagonist is grounded by her mother. Gladly I’m tough trained in blood & gore after years of being steeped into war movies, but I really couldn’t stop the chills running up and down my body during the screening. Well I guess that can be called ‘refreshing’. The Ballerina trend is indeed done to death but I think this time it’s going to be different because Black Swan was very little of the dainty feather muffs and white tutus, but more of the saturated evil of the dark swan twin that we always seem to neglect.
The pre-screening event was another one of Robinson Pfeffer‘s bountiful functions, including a Barre class held at Frame studio in Shoreditch. (If the screening came before the class we’d have expected our reflections to move on its accord) A generous dance kit was provided by Bloch, and a smoky-eye makeover by MAC Cosmetics, and off we went hobbling over the bars clutching our butts that were spilling out of the leotards… At least whatever I lost in that class got returned to the rightful owner while shoving down fistfuls of popcorn at the Aubin cinema during the screening.
Thank you Pascal for the outfit shots
